She named the bunny Vorpal.

That sheepish expression? It's highly improper for him to be asking after a girl that he hasn't been formally introduced to, and he knows it.

I picked up a copy of Journeys of a German in England in 1782. I haven't got very far, but I'm finding it far more readable than Boswell.

The Viking Festival was like the Ohio Renaissance Festival in miniature, but more reasonably priced. The costuming was excellent, I recognized many of the people there from ORen. The food and the vendors were first-rate. There was even a longboat. One of the Vikings had a rabbit in a wooden cage. Seeing that piece of ingenuity really made my day.

Bonus: I was laying out some pages for chapter 5 and listening to random music on youtube, when up came the song Aimo from Macross Frontier. I don't speak Japanese, so I googled the lyrics to see what they meant. Bizarrely enough, the chorus goes:

Luray lureia
The skylarks that dance in the sky are tears
Luray lureia
You’re a kind and green child

That's pretty awesome, don't you think?

Otzi the Iceman and Cold Iron swords

He's doing pretty well! Hostility to bafflement is an improvement, yes?

The Georgian-era half of this story is more-or-less easy to research, as there is a goodly amount of documentation. (Though certain questions are hard to answer- for example I can find diagrams of the dinner table, but how is it set at breakfast?)

But I had an imaginary half to create, and I didn't want to go with yet-another-Native-American-imitation. While there are inevitable similarities between non-metal-working, forest-dwelling peoples, I have drawn as much as possible from medieval and primitive European sources for clothing, weaponry, customs, etc. There's a lot more to living primitively than you'd think- here is a video of someone recreating Otzi the Iceman's gear. All that for an arrow??

For culture, I incorporated a good amount of Irish fairy lore, with a bit of Greek and Scandinavian influence. Plus a goodly amount of totally-made-up-shit. It's fantasy, after all.

One more problem I have with modern fantasy is that Elves are exactly like humans, but prettier, and live forever. I can deal with that now and again, but it's almost universal. So I threw in some serious physical differences. The color change from child (green) to adolescent (brown) to adult (fair) is really just the tip of the iceberg. I won't go into more detail at this point, but keep your eyes peeled.

 

One more question I'm pondering: Is Cold Iron being deadly to fairies a modern concept, or not? In Irish lore, fairies are thwarted by iron, but I don't know if it was just any iron. While there is such a thing as cold iron, it can't be used for swords or daggers; those items must be forged.

I attended a fantastic Viking festival yesterday, but that will have to be a future post. I'm out of time.

Feathers and teacups

If you look over the last few pages and happen to notice feathers, blood, and a hastily extinguished fire, you're more observant than he is.

Usually I am pretty good at identifying what something is. When knowledge fails, my google-fu is strong. I ID'd a woman from the 20's once with just an old photograph (but that's another story). Today I have a mystery cup and saucer on my desk and I cannot identify the maker. Which of course bugs me to pieces.

It's about 100 years old, give or take 20 years, black transferware piece, no makers mark. It's shaped more like a coffee cup than a teacup, and it's patterned all over with feathers (maybe leaves?). Feathers are vertical, point downward, in several rows,  and connected by loop-de-loops. There's also some black geometric hatchwork going on. The effect looks like Native American art crossed with Art Deco. It's very distinctive and kind of mesmerizing. I feel like I've seen something like it before, and I can't remember where....

Victorian Cookbooks and Pirate Coats

Today's big find at work was a rare Confectioners Cookbook from the 1800s. One recipe started with "First scald the milk over the fire..."  How times have changed! For $100, some lucky customer will get to take it home. Less expensive but still notable were an oversize 1905 World Atlas, a koto from Japan, and a drop spindle made in New Zealand. But enough about work!

I am finally getting around to a sewing project that's been waiting for a couple months now. My sister's sewing circle got together and decided to all work on the same project: pirate coats. Then they wanted to get all dressed up and go out for tea, like a teetotaling Red Hats Society for 30-somethings. Only dressed like pirates, because- Just because. If you need to ask why-

I started with a McCall's George Washington pattern, men's size M. (Hey, it was $1.) Being a total shorty, I had to shorten the pattern by 3" overall and the sleeves by 4". I will probably have to take some tucks at the waist. I'm using a vintage blue velvet and it's shaping up rather nicely. It doesn't have cuffs (McCall's patterns are simplified to the point of uselessness) but I may add some. Let me first get past the challenge of attaching sleeves to coat....

This is not the fae you are looking for.

A few hours early doesn't matter, does it?
I have too much else to get done today. It's nice to be able to scratch one thing off my list.

There is too much lousy fantasy out there. Make yours good.

I was reading a book the other day that is a fine example of the importance of matching culture to plot. It was a novel about Native Americans set in the 1800s (I feel no need to name names). I got through three-quarters of it without seeing much amiss. The writer had done her research even if the plot was somewhat standard.

Then, our main character runs away from her adopted tribe to try to find the tribe she was born to. On the way, she is taken captive by another tribe that intends to make her a virgin sacrifice to their evil god. Only her beloved, who is desperately following her, can possibly save her now.

At that point, I just closed the book. Because that kind of plot belongs to B-movies and bad science fiction. It reeks of ignorance and prejudice and is just NOT what I signed up for when I picked up that book. I was hoping for something more authentic, not this.... drek.

It is this widespread cultural ignorance that makes me roll my eyes when someone tells me they based their fantasy race on Native Americans. Usually it's a idealised New Age-y idea of a people that never existed in reality. Though you do get those Noble Savages from time to time. Neither one worth a damn in any literary sense.

People, you can do better than that. I know you can. Either get creative and make something up instead of lifting it from popular culture, or get real with your research.

 

Pick a tribe. Read and learn. What we lump together as "Native American" are several hundred separate cultures that just happen to share a continent. How much can the Seminole of the Florida swamps and the Inuit of Alaska have in common, after all? The Algonquian tribes of the East Coast and the Pueblo of New Mexico had very different climates to contend with. How did that shape their societies? Their myths? Their clothing, housing, what they ate?

Most of all, if you are going to write Native American historical fiction, find out what themes run though their literature and mythology, and adapt it to your needs. Don't borrow plot from spaghetti westerns and dime novels. If you write fantasy, use your knowledge to create yourself a well-rounded society and stop falling into the stereotype trap.

There is too much bad fiction and fantasy out there. Make yours good.

 

 

He's no Sherlock Holmes

Sketching out the beginning of chapter 5.

I've given up on brushes. Ink pens it is.